

Do you want to know more about this perfume?
Baraonda, a exquisite creation by Nasomatto, offers an enigmatic olfactory experience that does not conform to the conventional. As part of an ambitious perfume project, this fragrance embodies a powerful and potent olfactory whisper, in which the energies of everything and nothing vibrate, captivating the senses.
This singular fragrance is designed to reveal a raw and pure gustatory sensation. Imagine waking up in a forest where the moisture of the leaves and the fleeting sweetness of ripe fruits converge in a haze that defies perception. Baraonda captures this ethereal scene, delivering a scent that lingers and evolves magically.
With a complex composition and an evolving structure, Baraonda invites you to lose yourself in an ephemeral dance of essences that seek to explore the duality between the sublime and the earthly. Ideal for anyone who wants to stand out with an aura of mystery and sophistication, this perfume is much more than a choice: it is a sensory statement that redefines the art of perfumery.
Baraonda within the Nasomatto house
Baraonda is an extrait de parfum launched in 2016 and made in Italy. Nasomatto presents it as part of the Nasomatto project and says the fragrance invites you to discover a raw gustatory sensation. The brand does not publish its note pyramid. The cap is made with a blend of corks from Portugal and Italy.
From the same house we have Black Afgano, Duro, Pardon and Narcotic V., and the full brand in the Nasomatto collection.
What does Baraonda mean?
Baraonda is an Italian word that means uproar or commotion. Nasomatto brings it into perfume as the powerful whisper of an olfactory stimulus, in which everything and nothing come together.
What is Nasomatto?
It is an Italian perfumery house that presents each bottle as part of the Nasomatto project. The name combines two Italian words: naso, nose, and matto, crazy. On its website, it links Orto Parisi as another of its projects, and at All Yours we have both: Nasomatto and Orto Parisi.

